William Hartnell 1963-1966 Patrick Troughton 1966-1969 Jon Pertwee 1970-1974 Peter Davison 1982-1984 Colin Baker 1984-1986 Sylvester McCoy 1987-1989 Paul McGann - 1996The First Doctor
Season One - 1963-64
The Pilot Episode
An Unearthly Child
The Daleks
The Edge of Destruction
Marco Polo
The Keys of Marinus
The Aztecs
The Sensorites
The Reign of TerrorSeason Two - 1964-65
Planet of Giants
The Dalek Invasion of Earth
The Rescue
The Romans
The Web Planet
The Crusade
The Space Museum
The Chase
The Time Meddler Season Three - 1965-66
Galaxy 4
Mission to the Unknown
The Myth Makers
The Daleks' Master Plan
The Massacre
The Ark
The Celestial Toymaker
The Gunfighters
The Savages
The War MachinesSeason Four - 1966
The Smugglers
The Tenth PlanetThe Second Doctor
Season Four - 1966-67
The Power of the Daleks
The Highlanders
The Underwater Menace
The Moonbase
The Macra Terror
The Faceless Ones
The Evil of the DaleksSeason Five - 1967-68
The Tomb of the Cybermen
The Abominable Snowmen
The Ice Warriors
The Enemy of the World
The Web of Fear
Fury from the Deep
The Wheel In SpaceSeason Six - 1968-69
The Dominators
The Mind Robber
The Invasion
The Krotons
The Seeds of Death
The Space Pirates
The War GamesThe Third Doctor
Season Seven - 1970
Spearhead from Space
Doctor Who and the Silurians
The Ambassadors of Death
InfernoSeason Eight - 1971
Terror of the Autons
The Mind of Evil
The Claws of Axos
Colony In Space
The DaemonsSeason Nine - 1972
Day of the Daleks
The Curse of Peladon
The Sea Devils
The Mutants
The Time MonsterSeason Ten - 1972-1973
The Three Doctors
Carnival of Monsters
Frontier In Space
Planet of the Daleks
The Green DeathSeason Eleven - 1973 - 1974
The Time Warrior
Invasion of the Dinosaurs
Death to the Daleks
The Monster of Peladon
Planet of the SpidersThe Fourth Doctor
The Fifth Doctor
Season Nineteen - 1982
Castrovalva
Four To Doomsday
Kinda
The Visitation
Black Orchid
Earthshock
Time-FlightSeason Twenty - 1983
Arc of Infinity
Snakedance
The Guardian Trilogy:
Mawdryn Undead
Terminus
Enlightenment
The King's Demons20th Anniversary Special
The Five DoctorsSeason Twenty-One - 1984
Warriors of the Deep
The Awakening
Frontios
Resurrection of the Daleks
Planet of Fire
The Caves of AndrozaniThe Sixth Doctor
Season Twenty-One - 1984
The Twin DilemmaSeason Twenty-Two - 1985
Attack of the Cybermen
Vengeance On Varos
The Mark of the Rani
The Two Doctors
Timelash
Revelation of the Daleks Season Twenty-Three- 1986
The Trial of a Timelord:
The Mysterious Planet
Mindwarp
Terror of the Vervoids
The Ultimate FoeThe Seventh Doctor
Season Twenty-Four - 1987
Time And the Rani
Paradise Towers
Delta And the Bannermen
DragonfireSeason Twenty-Five - 1988
Remembrance of the Daleks
The Happiness Patrol
Silver Nemesis
The Greatest Show In the GalaxySeason Twenty-Six - 1989
Battlefield
Ghost Light
The Curse of Fenric
SurvivalThe Eighth Doctor
Lars has it all: a crummy one bedroom apartment in Boston, a nonexistent family life, a severe drinking problem, uncontrollable nervous ticks, and a desperate need to belong. He's a loner, a boozer, and a loser. Everything has gone wrong with his life ever since the death of his mother, when he was eight. Everything, that is, until he meets Dorothy, an aspiring model from his home state of Vermont. Desperately trying to grasp for something, he falls head over heels with her within only hours. This is the story of one sad, pathetic man who makes new discoveries and uncovers things that he didn't think possible. 
K-9 on Disney XD
Will Eisner
Paul Smith
Paul Smith was working in animation when he broke in as a comic book artist in the early 80s.
His work on Doctor Strange got him noticed, so when Dave Cockrum ended his second tour of duty on Marvel's popular title, X-Men, it was quite a surprise to see the little known Smith given the job.
However much of a surprise it was at first, it wasn't for long, as Smith's unique draftmanship quickly made him a prominent artist in the industry.
However, like many other great artists, Smith preferred not to draw a monthly book, so his run on X-Men was not particularly long. Since then, he has drawn many different comic books, most notably being the artist on James Robinson's Leave it to Chance (using a looser, more cartoonish style).
Smith recently drew a Kitty Pryde mini-series for Marvel and a few issues of She-Hulk.
Paul Smith was working in animation when he broke in as a comic book artist in the early 80s.
His work on Doctor Strange got him noticed, so when Dave Cockrum ended his second tour of duty on Marvel's popular title, X-Men, it was quite a surprise to see the little known Smith given the job.
However much of a surprise it was at first, it wasn't for long, as Smith's unique draftmanship quickly made him a prominent artist in the industry.
However, like many other great artists, Smith preferred not to draw a monthly book, so his run on X-Men was not particularly long. Since then, he has drawn many different comic books, most notably being the artist on James Robinson's Leave it to Chance (using a looser, more cartoonish style).
Smith recently drew a Kitty Pryde mini-series for Marvel and a few issues of She-Hulk.
Barry Windsor-Smith
Barry Windsor-Smith made his debut as a young man when he approached Marvel Editor Roy Thomas, and came away with a gig drawing the X-Men.
Smith really rose to prominence, though, a few years later as the artist of Marvel's adaptation of Robert E. Howard's Conan the Barbarian character.
The book was a smash hit, and Smith was a star.
Soon after this, though, Smith withdrew from regular comic work, to work more with painting, as the pre-raphaelite influence was already becoming apparent in his comic book work, but now he was embracing it fully.
Smith returned occasionally to do some notable comic book, specifically some X-Men issues with Chris Claremont that were very well-received, as well as a larger return for Valiant Comics in the early 90s, with some lush, gorgeous work on Archer and Armstrong.
Smith also contributed Rune to the Ultraverse.
Most recently, Smith has announced he will be doing a Thing graphic novel for Marvel Comics.
Barry Windsor-Smith made his debut as a young man when he approached Marvel Editor Roy Thomas, and came away with a gig drawing the X-Men.
Smith really rose to prominence, though, a few years later as the artist of Marvel's adaptation of Robert E. Howard's Conan the Barbarian character.
The book was a smash hit, and Smith was a star.
Soon after this, though, Smith withdrew from regular comic work, to work more with painting, as the pre-raphaelite influence was already becoming apparent in his comic book work, but now he was embracing it fully.
Smith returned occasionally to do some notable comic book, specifically some X-Men issues with Chris Claremont that were very well-received, as well as a larger return for Valiant Comics in the early 90s, with some lush, gorgeous work on Archer and Armstrong.
Smith also contributed Rune to the Ultraverse.
Most recently, Smith has announced he will be doing a Thing graphic novel for Marvel Comics.
Gil Kane
Gil Kane (nee Eli Katz) began working in comics as a teenager before World War II, doing a number of projects for MLJ Comics, but then he returned to school, and eventually went to serve in the military during World War II.
Upon his return to the United States, Kane did a number of freelance work, primarily for DC Comics. He happened to be right there when DC decided to redo their superhero line, and Kane was ready! He was the first artist to draw the Silver Age Green Lantern and the Silver Age Atom.
After drawing for DC for quite some time, Kane moved over to Marvel, where he drew notable runs on Captain Marvel and Amazing Spider-Man, in particular, the Death of Gwen Stacy.
Kane was not just a superhero artist, though, as his Blackmark orginal graphic novel in the early 70s was a sword and fantasy book.
Kane's work was marked by an extremely dynamic style. His pencils had a great deal of movement to them, as they really popped from the page.
Like Jimmy Olsen, Kane was "Mr. Action."
Gil Kane passed away in 2000.
Gil Kane (nee Eli Katz) began working in comics as a teenager before World War II, doing a number of projects for MLJ Comics, but then he returned to school, and eventually went to serve in the military during World War II.
Upon his return to the United States, Kane did a number of freelance work, primarily for DC Comics. He happened to be right there when DC decided to redo their superhero line, and Kane was ready! He was the first artist to draw the Silver Age Green Lantern and the Silver Age Atom.
After drawing for DC for quite some time, Kane moved over to Marvel, where he drew notable runs on Captain Marvel and Amazing Spider-Man, in particular, the Death of Gwen Stacy.
Kane was not just a superhero artist, though, as his Blackmark orginal graphic novel in the early 70s was a sword and fantasy book.
Kane's work was marked by an extremely dynamic style. His pencils had a great deal of movement to them, as they really popped from the page.
Like Jimmy Olsen, Kane was "Mr. Action."
Gil Kane passed away in 2000.
Do we all have to be puppets sitting around... at anyone's use...... what is going on???.... a Bishops move.... at best..... Im sitting researching my brians out and doing a great job on my own.....
Coherence...... Comprehension...... just to sit and read.... on your own...
"Sources of coherence in reading,"
by Jr., Robert F. Lorch, Edward J. O'Brien, Robert F. Lorch
by Jr., Robert F. Lorch, Edward J. O'Brien, Robert F. LorchAbout the Book
During the last 20 years, there has been an enormous amount of research examining sources of coherence in reading. A major tenet of this work has been the distinction between two major sources of coherence. "Text-based" sources of coherence are contained within the text itself -- use of headings to indicate aspects of a text's macrostructure; "reader-based" sources of coherence encompass the information and strategies that the reader brings to the comprehension process. Many early models of reading comprehension emphasized text-based sources of coherence as a way of understanding how a representation of the text is constructed in memory. However, during the last decade, there has been a clear shift of theoretical perspective away from viewing reading comprehension as a process of representing a text to viewing comprehension as a process of representing what a text is about. This has led to a greater emphasis on reader-based sources of coherence. The purpose of this book is to bring together the large body of evidence addressing the roles of text-based and reader-based sources of coherence in reading comprehension. The contributors present the current state of cognitive theory and research on comprehension of discourse.
Table of Contents
Contents: R.F. Lorch, Jr., E.J. O'Brien, Introduction: Sources of Coherence in Reading.K. Rayner, G.E. Raney, A. Pollatsek, Eye Movements and Discourse Processing. J.M. Keenan, T.M. Jennings, The Role of Word-Based Priming in Inference Research. W.K. Estes, Response Processes in Cognitive Models. A.W. Inhoff, C. Connine, Perceptual Similarity and Salience in the Accessing of Lexical Meaning. S.A. Duffy, A.F. Hundley, P.A. Baligian, Inferencing Upside Down. J.D. Murray, Logical Connectives and Local Coherence. J.M. Golding, K.M. Millis, J. Hauselt, S.A. Sego, The Effect of Connectives and Causal Relatedness on Text Comprehension. S. Dopkins, J. Nordlie, Processes of Anaphor Resolution. E.J. O'Brien, Automatic Components of Discourse Comprehension.E.N. Kamas, L.M. Reder, The Role of Familiarity in Cognitive Processing. C.R. Fletcher, S.T. Chrysler, P. van den Broek, J.A. Deaton, C.P. Bloom, The Role of Co-Occurrence, Coreference, and Causality in the Coherence of Conjoined Sentences. T. Trabasso, S. Suh, P. Payton, R. Jain, Explanatory Inferences and Other Strategies During Comprehension and Their Effect on Recall. M. Singer, Causal Validation and Causal Comprehension. J.E. Albrecht, E.J. O'Brien, Goal Processing and the Maintenance of Global Coherence. R.F. Lorch, Jr., Integration of Topic Information During Reading. A.C. Graesser, E.L. Bertus, J.P. Magliano, Inference Generation During the Comprehension of Narrative Text. W. Kintsch, M. Franzke, The Role of Background Knowledge in the Recall of a News Story. C.M. Jones, Construction of a Mental Model. P. van den Broek, K. Risden, E. Husebye-Hartmann, The Role of Readers' Standards for Coherence in the Generation of Inferences During Reading. R.F. Lorch, Jr., M.A. Klusewitz, E.P. Lorch,Distinctions Among Reading Situations.
Egalitarianism and Natural Law
Egalitarianism: is a political doctrine that holds that all people should be treated as equals and have the same political, economic, social, and civil rights.Natural law: is a theory that posits the existence of a law whose content is set by nature and that therefore has validity everywhere. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------- I have been having alot of problems.... inside of me do to... these two things.... conflicted by the power of the Will or SOMEone else's ..... a pond me ..... I started a search I found a man name William James
"The Meaning of Truth," "The Will to Believe," 
"A Life Force," chronicles not only the Great Depression but also the rise of Nazism and the spread of socialist politics through the depiction of the protagonist, Jacob Shtarkah, whose existential search reflected Eisner's own lifelong struggle.
Penguin Atlas of World History, volume 1, from the Beginning to the Eve of the French Revolution. 1988.
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